Marin's first studio recording with a stellar band - The Follow Through - Featuring Cole Schmidt on Guitar, Kenton Loewen on Drums and Percussion, Darren Parris on Bass, Peggy Lee on Cello, Tyson Naylor on Keys, Minimoog and Melotron, Jesse Zubot on Violin, and Scott Smith on Pedal Steel.
Recorded in Vancouver, BC at Afterlife Studios - recorded through tape to make it juicy.
Engineered by John Raham
Produced by Kenton Loewen and Marin Patenaude
Includes unlimited streaming of Marin Patenaude and the Follow Through
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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lyrics
You are a southerner
I’m from the north
Travelling back and forth
Backwards forwards
Picking up speed on
The Carnegie Curves
The addled words
Legitimate suffering
Dropping it down to
The hardwood floors
Where a thousand doors
Fell from their hinges
Beyond the railing
A suitcase falls
And the time
Spills over
The time
Spills over
We took the time but too late
Once was a part of this
A virtuous friend
But I turned out to be
Just like you in the end
Pointing our fingers
Conducting the choir
Selling your way
Your messiah for hire
Trade in my services
For heartaches and rhyme
And dimes on the dollar, it’s
Hot under the collar, it’s
Bitter like winter winds
And hot like wine
Well and I
Got mine
Yes I
Got mine
We took the time but too late
Too late, too late, too late.
Back off my shoulder
I know you’re prison sent
Crazy they called me
Crazy they haven’t met
Reasons why faded
Didn’t you make it clear
Crazy I am so
Crazy I’ll always fear.
We took the time but too late
credits
from Marin Patenaude and the Follow Through,
released April 14, 2016
Piano, Vocals - Marin Patenaude, Acoustic Guitar - Cole Schmidt, Drums - Kenton Loewen, Bass - Darren Parris, Violin - Jesse Zubot, Cello - Peggy Lee
Written by Marin Patenaude
Produced by Kenton Loewen and Marin Patenaude
supported by 6 fans who also own “Carnegie Curves”
The musicianship--it is ALIVE, PULSING and joyous, sometimes quietly, sometimes raucously, always with their hearts in it. Among all the gems, Old Paint's banjo is one of the most beautiful arrangements ever, and that Cocaine Blues really swings--great fiddling, Josh! lenapple